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Gravity [Blu-ray 3D + Blu-ray] [2013] [Region Free]

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More importantly for this film in particular, without giving anything away, is that the backstories add an extra layer for the audience putting themselves in the character’s positions. His erotic and impassioned Mexican road trip drama Y Tu Mama Tambien (2001) utilises extended takes and an omniscient narrator to dispassionately comment on teenage sexuality and the realities of a fracturing male friendship. It does a perfect job building tension in an immensely stressful atmosphere while not losing the sense of how amazing the visuals are. Thanks to blockbuster genre films that use 3D as a gimmick, throwing things into the audience either for a laugh or a scare, it’s common for classier 3D films to ignore this part of the viewing experience in favor of simply creating deep, immersive environments, but Cuaron fully utilizes every aspect of the technology with Gravity.

I particularly like the fact muffled sounds can be heard through the suit from bumping into things and I remember seeing an interview with Thomas years ago where he mentioned this. The best part of the cinematography though is the intricate long takes that draw you in right from the opening sequence, with a camera that feels like it’s floating and spinning in zero gravity along with the astronauts.

Critics, including our own Katey Rich and Sean O’Connell have praised its stunning cinematography, awesome performances, and amazing direction. What makes the script particularly impressive, to me at least, is how everything structurally serves two purposes.

widescreen – and, honestly, you’d be hard-pushed to find two finer looking video presentations in the charts at the moment. In fact, in Gravity, there wasn’t gratuitous use of objects popping out in front of the screen; rather, 3D was used to create the depth of space. Cuarón has stated, as James Cameron had before him , that he had to wait for the technology to exist before he could get his vision to the screen. But it's also a story of actively choosing to live life; of overcoming despair and making a very intentional decision to press on. And, my personal favorite: when Stone is given a moment to rest at the film's mid-point, she looks down on the "eye of the storm".In his films, no matter how elaborate or action-oriented, the best thing he accomplishes is getting to the emotional core through subtleties in the performances of his actors. The movie stars Sandra Bullock as Ryan, an imperilled astronaut who is left stranded in zero orbit after floating debris collides with the International Space Station. To create the illusion that Sandra Bullock and George Clooney are floating in endless space, Gravity director Alfonso Cuaron used 3D — and thanks to Cuaron and other filmmakers such as Ang Lee and Baz Luhrmann, audiences are starting to see more examples of the format’s use as part of the storytelling and not as a gimmick. Disregarding the flaws, it is impossible not to marvel at the astounding effects sequences which alone make Gravity worth seeing, but not necessarily on the big screen. Taking off your glasses in the middle of a 3D movie is a way to see all of the layers of depth that the stereoscopic effect is using, and with Gravity the results of the test are impressive.

With Gravity, director Alfonso Cuarón has crafted a spectacular cinematic blockbuster that is both a pulse-pounding hi-tech thriller and a metaphor for the human condition. Whether the transfer is dealing with largescale effects (such as the breathtaking 13-minute tracking shot that opens the film) or smaller moments (the curved light refracting off the glass as the camera moves inside Stone’s helmet in Chapter 2) image depth and dimensionality are both absolutely first-rate.But with 3D shots for reference the team was able to judge, for example, how far the ears lie back from the forehead or the depth of an eye socket. I understand your issues with the script and characters but I still thoroughly enjoyed the movie anyway. Some folks couldn't handle 'Gravity' in cinemas because it made them too motion sick, and I really feel for those people.

Despite the occasional bolt or tear drop spinning towards you, most of the 3D on display here is subtle and far from gimmicky. Fine detailing is also brilliantly resolved and adds a wholly convincing sense of three-dimensional texture to every surface.It’s not enough to wow people—you need a good story reason for the technology, which all of the above directors had in spades.

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